First Truffaut gave us The 400 Blows. Then Stolen Kisses... and now Bed and Board.
The release of François Truffaut’s The 400 Blows in 1959 shook world cinema to its foundations. The now-classic portrait of troubled adolescence introduced a major new director in the cinematic landscape and was an inaugural gesture of the revolutionary French New Wave. But The 400 Blows did not only introduce the world to its precocious director—it also unveiled his indelible creation: Antoine Doinel. Initially patterned closely after Truffaut himself, the Doinel character (played by the irrepressible and iconic Jean-Pierre Léaud) reappeared in four subsequent films that knowingly portrayed his myriad frustrations and romantic entanglements from his stormy teens through marriage, children, divorce, and adulthood.
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US data via JustWatch

as Antoine Doinel

as Christine Doinel

as Lucien Darbon
as Madame Darbon
as Kyoko

as Le Voisin Ténor
as Silvana, la Femme du Ténor

as Monique, la Secrétaire

as Le Pseudo Étrangleur

as Ginette, la Serveuse