For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.
as The Man
as The Girl
as Himself - Historian
as Herself - Prado Museum Staff Member
as Himself - Historian
as Himself - Prado Museum Staff Member
as Herself - Artist
as Himself - MoMa Staff Member
as Himself - MoMa Staff Member
as Herself - Art Historian
as Himself - Art Historian
as Himself - Prado Museum Staff Member
as Himself - Writer
as Himself - Art Historian
as Herself - Prado Museum Staff Member
as Herself - Prado Museum Staff Member
as Herself - Prado Museum Staff Member
as Himself - Writer
as Himself - Art Historian
as Himself - Architect
as Himself - Prado Museum Staff Member
as Himself - Artist
