In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.
as Gossette
as Comte de Savières
as Robert de Tayrac
as Madame Dornay
as Madame Bonnefoy
as Comtesse de Savières
as Maître Varadès
as Andriano
as Chauffeur
as Philippe de Savières
