"When I first heard it back in 2001 I wasn't sure what to make of it; small subtle compositions constructed with treated piano, covered in dirt, noise and crystalline electronic elements. The more I listened however, the more I became addicted and Rabelais' moonlit pieces began to soundtrack my evenings." A time-bending web of resonances intertwined in a reality-altering hyperstitional multiplicity of touching rays of escape...
