The eternal dilemma of the creator and his relationships with the state, patronage, and society comprise this Ludovician triptych. The creator establishes a loving and committed relationship with his work. A relationship of obscurities pierced into the illuminated spaces of his conscience, which, beyond his creation, is enmeshed in all the vicissitudes of public life, in his constant appearance to exhibit himself and his work, another inescapable trap.
