Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.
as Magdalena, Josette, The Angel of Death
as Klara, Aline
as Helena
as Andréa, Marie
as Murderous soul
as Isolde
as Franzl
