The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.
as (Segmento: La ausencia)
as (Segmento: La ausencia)
as (Segmento: La ausencia)
as (Segmento: Cuesta abajo)
as (Segmento: Cuesta abajo)
as (Segmento: La simple razón)
as (Segmento: La simple razón)
as (Segmento: La simple razón)
as (Segmento: Ojos de fuego)
as (Segmento: Ojos de fuego)
as (Segmento: Ojos de fuego)
as (Segmento: Ojos de fuego)
as (Segmento: Dónde y cómo Oliveira perdió a Achala)
as (Segmento: Dónde y cómo Oliveira perdió a Achala)
as (Segmento: Dónde y cómo Oliveira perdió a Achala)
as (Segmento: Noches áticas)
as (Segmento: Noches áticas)
as (Segmento: Noches áticas)
as (Segmento: Noches áticas)
as (Segmento: Noches áticas)
as (Segmento: Guarisove, los olvidados)
as (Segmento: Guarisove, los olvidados)
as (Segmento: Guarisove, los olvidados)
as (Segmento: Guarisove, los olvidados)
as (Segmento: Guarisove, los olvidados)
as (Segmento: Guarisove, los olvidados)
as (Segmento: Niños envueltos)
as (Segmento: Niños envueltos)
as (Segmento: Rey muerto)
as (Segmento: Rey muerto)
